Postmodern Poetry - Confessional Poets Essay -- essays research papers

Postmodern Poetry - Confessional Poets      With World War II finally over and a chapter in history written, the next chapter is about to begin. The ordinal carbon brings with it a new literary movement called smearmodern, where poem is " fracture from modernism" and taking on a whole new look Within postmodern metrical composition emerge confessional poets whom remove the mask that has cloak poetry from previous generations and their writings become autobiographical in temper detailing their lifes most intense personal companionships, therefore becoming the cin one casentre of their work.      Considered to be the "mainstream of postmodern poetry" confessional poetry did not hit its broadside until the late twentieth century. Confessional poetry is in direct contrast to the poetry of William Butler Yeats. Yeats poetry, Romantic in nature, depended on symbols and images to convey his themes. Confessional poetry is v ery(prenominal) direct and conveys the inner most feelings of the post modern poets. The twentieth century brought forth many confessional and post confessional poets who appeared to be embarking on unmarked territory. Confessional poets Robert Lowell, Sylvia Plath, Theodore Roehtke and post confessional poet Adreinne spicy all dealt with taboo subjects. Their life held an intensity of personal experience that became the focus of their work. Confessional poetry does not simply touch upon emotion. Confessional poetry allows emotion or looks at emotion through an examining eye rather to conduct poems, permeating each poem with an air of necessity, the necessity of conveying and aiming to construe emotion through confession.      Postmodern poet, Robert Lowells poetry really captures the true mall of confessional poetry by sharing his consume raw emotions with the reader. The mask that once was placed upon the influence of the symbolist, Eliot and Pound, Lowel l removes. The speaker of his poems is unequivocally himself. Lowell does not spare himself in his poetry. In his poem "Man and Wife" he deals directly with his own marriage. The reader gets grotesque glimpses into his marital life. He begins "Tamed by Miltown, we harp on mothers bed." And later tells how "All night I have held your hand,/ as if you had/ a fourth cartridge holder faced the kingdom of the mad-/ its hackney... ...bspThe thing itself and not the myth.Diving deep into the inner most recesses of her self, exploring the wreck of her own life, Rich feels compelled to map the geography of her self. Rich declares in a forward to her poems "with the chastening of patriarchal politics" and "to be a woman at this time"     is to know extraordinary forms of     anger, joy, and impatience, love and hope. Poetry,     words on paper, are incumbent but not enough       we need to touch the living who portion our     determination that the sexual myths underlying     the human condition can and shall be changed.Richs work is personal, intimate and confessional.Confessional and post confessional poets clearly chose to write about subjects that were taboo. That took their one-on-one lives and deep inner thoughts and made them public. Confessional poets took the baton from the moderns such as Yeats and Eliot and took poetry to another whole level. They opened up their heart, mind and feelings to a golf-club that was able to relate.