Feminist Approach in Dracula by Bram stoker In the story of Bram Stoker women be sometimes portray to be pitiful creatures where they need the male protection and cargon. On the other(a)(a) hand we also go steady rise the other “ newfangled Woman”, foul by Dracula where women are created into much(prenominal) inner and stronger women. Bram Stoker’s Dracula is symbolic of overnice sex roles and repression, where he shows us two different sides of women and how more threat could they have on a rattling persistent society. Dracula bring outs women in a lower hierarchy coiffure and also in power where he uses “Lucy and Mina” as a way to try to defeat the group. Practically, the two cogitation female characters, Lucy and Mina, are the ones who are been soil and then substitute into vampires: “Lucy Westenra, but yet how changed. The sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous wantonne ss p233”. In this case you can see that Lucy is been described to experience a radical change in her appearance. Where Dr.
Seward specifically tells us “the sweetness was turned to adamantine…” in fact the use of diction in the case is genuinely strong and specific where Bram Stoker repeatedly describes vampires in the tonic as “voluptuous” making them seem very animalistic characters. “With a careless motion she flung to the ground, callous as a devil, the child that up to now she had clutched strenuously to her breast p 234” Looking at this quote you can see that it tout ensemble reinforces the idea that ! women are portrayed to be “devilish” characters when contaminated by Dracula indeed the majority of vampires in the lancinating are female except for Dracula. A very authoritative theme in the novel is “The Fear of Female sexual practice” where men are put in the lay where their sexes are inverted and we see this is the first four chapters in the novel experience by Jonathan Harker....If you want to get a honorable essay, order it on our website: OrderCustomPaper.com
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